Getting Back on Stage: A manifesto for older Malaysian dancers
Cancer Meets the Confessional World: A Conversational Review of Marion D’Cruz’s Solo Show ‘ItSelf TerJadi’
Radical Chaos: KTDC Defies Expectations With Its Latest Performance
The Return of the Optimist: Dr. Joseph Gonzales On Dance And Life
New Stages in Her Life: Loke Soh Kim’s ‘A World in the City’
A Senior Dancer’s Eloquence: Reviewing Aman Yap’s Solo ‘Late Love’
The Growth of an Artist; The Growth of a Space — A Review of Works by Ernest Zacharevic at Hin Bus Depot
Speaking the Body through Dance – A Review of ‘Anggota 2: Re-Member’
Coming Out Strong – A Review of ‘Amma Chellam’
A Tribute to a Leader, a Snapshot of the Scene: Ballet in Malaysia at Festival of Dance VIII
The Futures of a Coconut, and Other Bodies, in ‘Beyond Moving with Artisans’
Bodies That Just Won’t Quit: Dancers at Their Peak in ‘Psychosynthesis’
The Pink Nanyang: A Casual Review of ‘Drumhouse’ [“鼓典南洋”之粉色南洋]
