Critics Republic – Page 2

11th January 202311th January 2023Bilqis Hijjas

Bodies That Just Won’t Quit: Dancers at Their Peak in ‘Psychosynthesis’

9th January 202310th January 2023Anonymous

The Pink Nanyang: A Casual Review of ‘Drumhouse’ [“鼓典南洋”之粉色南洋]

22nd November 202222nd November 2022Bilqis Hijjas

Count Your Blessings, Keep ’Em Coming: ‘KonTra: Asirvatham’ at klpac

7th November 20228th November 2022Ticket Tiger

An Imperfect Mirror Reflects the Past in ‘Opium at Closing Time’

25th October 20227th November 2022Miriam Devaprasana

The Glorious Tones of Choral Theatre in ‘Dark Light’ by the Young KL Singers

6th September 20226th September 2022Fasyali Fadzly

Daripada Arkib Menjadi Repertoir – ‘A Notional History’

A Notional History, KL 2022, photo by Bryan Chang

24th July 202224th July 2022Carmen Nge

From Bedrock to Chalk Dust – A Review of ‘A Notional History’

18th June 202218th June 2022Miriam Devaprasana

Spilt Gravy: The Malaysian Film Packs A Punch

17th June 202218th June 2022Bilqis Hijjas

Disjointed but Dancing: Anggota’s Unconventional Connections to Pleasure

5th February 20225th February 2022Bilqis Hijjas

Ballet Theatre Malaysia: A Triumphant Debut in a Dangerous Time

8th May 20208th May 2020Leng Poh Gee

Tontonan sebuah Pra-tonton: Tarian Cina sempena FESENI Universiti Malaya 2020

26th March 202026th March 2020Bilqis Hijjas

A Very Malaysian Mob: A Review of ‘In Transit’

7th February 20207th February 2020Anonymous

Masculinity and Beyond: A Review of ‘Woman on Man on Men’

17th January 202022nd January 2020Leng Poh Gee

Umpama Rebung Melentur: Ulasan Kejuaraan Tari Kanak-kanak Malaysia