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Author: Bilqis Hijjas

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26th March 202026th March 2020Bilqis Hijjas

A Very Malaysian Mob: A Review of ‘In Transit’

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6th November 20196th November 2019Bilqis Hijjas

Dependable Delight : A Review of the International Ballet Super Stars Gala 2019

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4th September 201910th September 2019Bilqis Hijjas

The Magic Mountain: A Review of the INXO International Residency Program

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12th August 201912th August 2019Bilqis Hijjas

Conscious Couplings for a Career: A Review of Kenny Shim’s ‘Mix Bill’

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1st August 20191st August 2019Bilqis Hijjas

Let’s Just Watch Them Dance: A Review of the 4th Selangor & KL Schools Dance Exchange

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18th April 201919th April 2019Bilqis Hijjas

Keep the Stones Acoming! A 2020’s Review of ‘Gold Rain & Hailstones’

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18th April 201918th April 2019Bilqis Hijjas

理想的年代,理想主义还在吗?A review of Dancebox Festival Program A

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8th March 201929th October 2019Bilqis Hijjas

Who Does What, in Traditional Dance? A Review of ‘Gubahan Tari Tradisi’

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5th October 20187th October 2018Bilqis Hijjas

20 Years of Gratitude: A Review of ‘Amidst the Wind’

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18th June 20183rd July 2018Bilqis Hijjas

Their Souls are a Circus: A Review of ‘Bisikan Monsoon’

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24th April 201824th April 2018Bilqis Hijjas

Harapan Baharu dalam Teater Kontemporari Malaysia melalui ‘Teater Modular’

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8th March 20188th March 2018Bilqis Hijjas

Does the Earth Really Dance? — A Review of ‘Ketika Bumiku Menari’

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27th February 201827th February 2018Bilqis Hijjas

Collective Effort: A Review of ‘Continue I: Tongue’

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2nd January 20182nd January 2018Bilqis Hijjas

The Cruelty and Absurdity of ‘Losertown’

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11th December 201711th December 2017Bilqis Hijjas

The Politics of ‘Tiga Dalam Kepompong’

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