Making Malaysian Indian Art – A Review of ‘Banana Leaf’
The Magic Mountain: A Review of the INXO International Residency Program
Conscious Couplings for a Career: A Review of Kenny Shim’s ‘Mix Bill’
Sleepless in Suburbia: A Review of ‘Next to Normal’
Let’s Just Watch Them Dance: A Review of the 4th Selangor & KL Schools Dance Exchange
Plays Within a Better Play: A Review of ‘The Tragicomedy of Errors’
Keinsafan, Perjuangan, dan Kesyukuran: Ciptaan Tari Kontemporari di PenTAS 2019, UPSI
Keep the Stones Acoming! A 2020’s Review of ‘Gold Rain & Hailstones’
理想的年代，理想主义还在吗？A review of Dancebox Festival Program A
Still a Culture of Compromise: The Uncanny Relevance of “Gold Rain and Hailstones”
Who Does What, in Traditional Dance? A Review of ‘Gubahan Tari Tradisi’
20 Years of Gratitude: A Review of ‘Amidst the Wind’
For Filling Up and Flipping Through: A review of ‘Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre’
