Contemporary dance – Critics Republic

15th May 202515th May 2025Bilqis Hijjas

Performing Exceptionalism: Dance at Taiwan Week 2025

19th December 20247th February 2025Bilqis Hijjas

Radical Chaos: KTDC Defies Expectations With Its Latest Performance

18th November 20247th February 2025Bilqis Hijjas

The Return of the Optimist: Dr. Joseph Gonzales On Dance And Life

28th August 20247th February 2025Bilqis Hijjas

New Stages in Her Life: Loke Soh Kim’s ‘A World in the City’

3rd April 20233rd April 2023Bilqis Hijjas

The Futures of a Coconut, and Other Bodies, in ‘Beyond Moving with Artisans’

11th January 202311th January 2023Bilqis Hijjas

Bodies That Just Won’t Quit: Dancers at Their Peak in ‘Psychosynthesis’

22nd November 202222nd November 2022Bilqis Hijjas

Count Your Blessings, Keep ’Em Coming: ‘KonTra: Asirvatham’ at klpac

17th June 202218th June 2022Bilqis Hijjas

Disjointed but Dancing: Anggota’s Unconventional Connections to Pleasure

26th March 202026th March 2020Bilqis Hijjas

A Very Malaysian Mob: A Review of ‘In Transit’

7th February 20207th February 2020Anonymous

Masculinity and Beyond: A Review of ‘Woman on Man on Men’

17th January 202022nd January 2020Leng Poh Gee

Umpama Rebung Melentur: Ulasan Kejuaraan Tari Kanak-kanak Malaysia

12th August 201912th August 2019Bilqis Hijjas

Conscious Couplings for a Career: A Review of Kenny Shim’s ‘Mix Bill’

13th May 20191st August 2019Leng Poh Gee

Keinsafan, Perjuangan, dan Kesyukuran: Ciptaan Tari Kontemporari di PenTAS 2019, UPSI

22nd July 201831st July 2019Leng Poh Gee

How has your time been used? A review of ‘22 a.m. – 65 p.m.?’

24th October 201524th October 2015Joelle Jacinto

Best Face Forward: ADC’s Impressive Company Repertoire