Critics Republic – Page 4

18th June 20183rd July 2018Bilqis Hijjas

Their Souls are a Circus: A Review of ‘Bisikan Monsoon’

12th June 20186th September 2022Fasyali Fadzly

Salahguna dan Gila Kuasa dalam ‘Dato’ Seri’

24th April 20186th September 2022Fasyali Fadzly

Harapan Baharu dalam Teater Kontemporari Malaysia melalui ‘Teater Modular’

3rd April 20183rd April 2018Carmen Nge

Retrofuturism: Version 2020

8th March 20188th March 2018Bilqis Hijjas

Does the Earth Really Dance? — A Review of ‘Ketika Bumiku Menari’

27th February 20186th September 2022Fasyali Fadzly

Mabuk-Mabuk Digital di Dalam Dimensi ‘Layang’

27th February 201827th February 2018Bilqis Hijjas

Collective Effort: A Review of ‘Continue I: Tongue’

4th January 20183rd April 2018Anonymous

Sic Transit Gloria Mundi: A Review of ‘2080’

2nd January 201828th March 2024Anonymous

The Cruelty and Absurdity of ‘Losertown’

11th December 201728th March 2024Anonymous

The Politics of ‘Tiga Dalam Kepompong’

16th November 20173rd April 2018Anonymous

Fishing for Subtlety, Catching the Crowd: A Review of ‘Swordfish + Concubine’

15th November 201715th November 2017Bilqis Hijjas

Throwaway Lives in “People Without Seasons”

18th October 201718th October 2017Bilqis Hijjas

The Ark of Humanity: A Review of ‘2020: Futurists’ Diaries’

10th October 201728th March 2024Anonymous

The Line Between Moving and Not Moving: A Review of ‘Dash’

20th September 20176th September 2022Fasyali Fadzly

Jamuan Visual dan Imej dalam ‘Kenduri Kendara’