Critics Republic – Page 2

7th November 20228th November 2022Ticket Tiger

An Imperfect Mirror Reflects the Past in ‘Opium at Closing Time’

25th October 20227th November 2022Miriam Devaprasana

The Glorious Tones of Choral Theatre in ‘Dark Light’ by the Young KL Singers

6th September 20226th September 2022Fasyali Fadzly

Daripada Arkib Menjadi Repertoir – ‘A Notional History’

A Notional History, KL 2022, photo by Bryan Chang

24th July 202224th July 2022Carmen Nge

From Bedrock to Chalk Dust – A Review of ‘A Notional History’

18th June 202218th June 2022Miriam Devaprasana

Spilt Gravy: The Malaysian Film Packs A Punch

17th June 202218th June 2022Bilqis Hijjas

Disjointed but Dancing: Anggota’s Unconventional Connections to Pleasure

5th February 20225th February 2022Bilqis Hijjas

Ballet Theatre Malaysia: A Triumphant Debut in a Dangerous Time

8th May 20208th May 2020Leng Poh Gee

Tontonan sebuah Pra-tonton: Tarian Cina sempena FESENI Universiti Malaya 2020

26th March 202026th March 2020Bilqis Hijjas

A Very Malaysian Mob: A Review of ‘In Transit’

7th February 20207th February 2020Anonymous

Masculinity and Beyond: A Review of ‘Woman on Man on Men’

17th January 202022nd January 2020Leng Poh Gee

Umpama Rebung Melentur: Ulasan Kejuaraan Tari Kanak-kanak Malaysia

3rd December 20199th December 2019Ticket Tiger

Yearning for Yasmin, Sepet Stays Faithful

6th November 20196th November 2019Bilqis Hijjas

Dependable Delight : A Review of the International Ballet Super Stars Gala 2019

23rd October 201923rd October 2019Anonymous

Making Malaysian Indian Art – A Review of ‘Banana Leaf’