Author: Bilqis Hijjas
Getting Back on Stage: A manifesto for older Malaysian dancers
Cancer Meets the Confessional World: A Conversational Review of Marion D’Cruz’s Solo Show ‘ItSelf TerJadi’
Radical Chaos: KTDC Defies Expectations With Its Latest Performance
The Return of the Optimist: Dr. Joseph Gonzales On Dance And Life
New Stages in Her Life: Loke Soh Kim’s ‘A World in the City’
A Senior Dancer’s Eloquence: Reviewing Aman Yap’s Solo ‘Late Love’
A Tribute to a Leader, a Snapshot of the Scene: Ballet in Malaysia at Festival of Dance VIII
The Futures of a Coconut, and Other Bodies, in ‘Beyond Moving with Artisans’
Bodies That Just Won’t Quit: Dancers at Their Peak in ‘Psychosynthesis’
Count Your Blessings, Keep ’Em Coming: ‘KonTra: Asirvatham’ at klpac
Disjointed but Dancing: Anggota’s Unconventional Connections to Pleasure
Ballet Theatre Malaysia: A Triumphant Debut in a Dangerous Time
A Very Malaysian Mob: A Review of ‘In Transit’
