Author: Anonymous
Masculinity and Beyond: A Review of ‘Woman on Man on Men’
Making Malaysian Indian Art – A Review of ‘Banana Leaf’
Keep the Stones Acoming! A 2020’s Review of ‘Gold Rain & Hailstones’
理想的年代，理想主义还在吗？A review of Dancebox Festival Program A
20 Years of Gratitude: A Review of ‘Amidst the Wind’
For Filling Up and Flipping Through: A review of ‘Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre’
Sic Transit Gloria Mundi: A Review of ‘2080’
The Cruelty and Absurdity of ‘Losertown’
The Politics of ‘Tiga Dalam Kepompong’
Fishing for Subtlety, Catching the Crowd: A Review of ‘Swordfish + Concubine’
The Line Between Moving and Not Moving: A Review of ‘Dash’
Does politics age as well as dance? – A Review of ‘Boy Story’
Social Phobias Break the Fourth Wall at ‘Langkau’
