Dance – Critics Republic

8th May 20208th May 2020Leng Poh Gee

Tontonan sebuah Pra-tonton: Tarian Cina sempena FESENI Universiti Malaya 2020

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26th March 202026th March 2020Bilqis Hijjas

A Very Malaysian Mob: A Review of ‘In Transit’

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7th February 20207th February 2020Anonymous

Masculinity and Beyond: A Review of ‘Woman on Man on Men’

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17th January 202022nd January 2020Leng Poh Gee

Umpama Rebung Melentur: Ulasan Kejuaraan Tari Kanak-kanak Malaysia

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6th November 20196th November 2019Bilqis Hijjas

Dependable Delight : A Review of the International Ballet Super Stars Gala 2019

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12th August 201912th August 2019Bilqis Hijjas

Conscious Couplings for a Career: A Review of Kenny Shim’s ‘Mix Bill’

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1st August 20191st August 2019Bilqis Hijjas

Let’s Just Watch Them Dance: A Review of the 4th Selangor & KL Schools Dance Exchange

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13th May 20191st August 2019Leng Poh Gee

Keinsafan, Perjuangan, dan Kesyukuran: Ciptaan Tari Kontemporari di PenTAS 2019, UPSI

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18th April 201918th April 2019Bilqis Hijjas

理想的年代，理想主义还在吗？A review of Dancebox Festival Program A

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8th March 201929th October 2019Bilqis Hijjas

Who Does What, in Traditional Dance? A Review of ‘Gubahan Tari Tradisi’

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5th October 20187th October 2018Bilqis Hijjas

20 Years of Gratitude: A Review of ‘Amidst the Wind’

22nd July 201831st July 2019Leng Poh Gee

How has your time been used? A review of ‘22 a.m. – 65 p.m.?’

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18th June 20183rd July 2018Bilqis Hijjas

Their Souls are a Circus: A Review of ‘Bisikan Monsoon’

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8th March 20188th March 2018Bilqis Hijjas

Does the Earth Really Dance? — A Review of ‘Ketika Bumiku Menari’

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27th February 201827th February 2018Bilqis Hijjas

Collective Effort: A Review of ‘Continue I: Tongue’