Critics Republic

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18th June 20183rd July 2018Bilqis Hijjas

Their Souls are a Circus: A Review of ‘Bisikan Monsoon’

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12th June 201812th June 2018Anonymous

Salahguna dan Gila Kuasa dalam ‘Dato’ Seri’

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24th April 201824th April 2018Bilqis Hijjas

Harapan Baharu dalam Teater Kontemporari Malaysia melalui ‘Teater Modular’

(L-R) Performers Roger Liew, Lee Ren Xin, Faiq Syazwan Kuhiri and Imri Nasution in Version 2020 (KL). Photo credit: Bryan Chang, courtesy of Five Arts Centre.

3rd April 20183rd April 2018Carmen Nge

Retrofuturism: Version 2020

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8th March 20188th March 2018Bilqis Hijjas

Does the Earth Really Dance? — A Review of ‘Ketika Bumiku Menari’

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27th February 20183rd April 2018Anonymous

Mabuk-Mabuk Digital di Dalam Dimensi ‘Layang’

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27th February 201827th February 2018Bilqis Hijjas

Collective Effort: A Review of ‘Continue I: Tongue’

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4th January 20183rd April 2018Anonymous

Sic Transit Gloria Mundi: A Review of ‘2080’

2nd January 20182nd January 2018Bilqis Hijjas

The Cruelty and Absurdity of ‘Losertown’

Kenapa TakTukar Nama

11th December 201711th December 2017Bilqis Hijjas

The Politics of ‘Tiga Dalam Kepompong’

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16th November 20173rd April 2018Anonymous

Fishing for Subtlety, Catching the Crowd: A Review of ‘Swordfish + Concubine’

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15th November 201715th November 2017Bilqis Hijjas

Throwaway Lives in “People Without Seasons”

18th October 201718th October 2017Bilqis Hijjas

The Ark of Humanity: A Review of ‘2020: Futurists’ Diaries’

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10th October 201711th October 2017Bilqis Hijjas

The Line Between Moving and Not Moving: A Review of ‘Dash’

20th September 201721st September 2017Bilqis Hijjas

Jamuan Visual dan Imej dalam ‘Kenduri Kendara’