Critics Republic

Monsoon-933

5 days ago 18th June 2018Bilqis Hijjas

Their Souls are a Circus: A Review of ‘Bisikan Monsoon’

ds_0000_IMG_1530

2 weeks ago 12th June 2018Anonymous

Salahguna dan Gila Kuasa dalam ‘Dato’ Seri’

modular4

24th April 201824th April 2018Bilqis Hijjas

Harapan Baharu dalam Teater Kontemporari Malaysia melalui ‘Teater Modular’

(L-R) Performers Roger Liew, Lee Ren Xin, Faiq Syazwan Kuhiri and Imri Nasution in Version 2020 (KL). Photo credit: Bryan Chang, courtesy of Five Arts Centre.

3rd April 20183rd April 2018Carmen Nge

Retrofuturism: Version 2020

28616505_2022508064456550_3245075481812269297_o

8th March 20188th March 2018Bilqis Hijjas

Does the Earth Really Dance? — A Review of ‘Ketika Bumiku Menari’

DSCF7396

27th February 20183rd April 2018Anonymous

Mabuk-Mabuk Digital di Dalam Dimensi ‘Layang’

three_edit

27th February 201827th February 2018Bilqis Hijjas

Collective Effort: A Review of ‘Continue I: Tongue’

2017-12-10 21.26.46-2_BryanChang

4th January 20183rd April 2018Anonymous

Sic Transit Gloria Mundi: A Review of ‘2080’

2nd January 20182nd January 2018Bilqis Hijjas

The Cruelty and Absurdity of ‘Losertown’

Kenapa TakTukar Nama

11th December 201711th December 2017Bilqis Hijjas

The Politics of ‘Tiga Dalam Kepompong’

_MG_05411

16th November 20173rd April 2018Anonymous

Fishing for Subtlety, Catching the Crowd: A Review of ‘Swordfish + Concubine’

PWS 1021_3043

15th November 201715th November 2017Bilqis Hijjas

Throwaway Lives in “People Without Seasons”

18th October 201718th October 2017Bilqis Hijjas

The Ark of Humanity: A Review of ‘2020: Futurists’ Diaries’

Dash1

10th October 201711th October 2017Bilqis Hijjas

The Line Between Moving and Not Moving: A Review of ‘Dash’

20th September 201721st September 2017Bilqis Hijjas

Jamuan Visual dan Imej dalam ‘Kenduri Kendara’